Historic Map : Mitchell Map of The Kingdom of Sardinia and Peidmont, I - Historic Pictoric

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  • MUSEUM QUALITY INKS AND PAPER: Printed on thick 192gsm heavyweight matte paper with archival giclee inks, this historic fine art will decorate your wall for years to come.
  • VINTAGE MAP REPRODUCTION: Add style to any room's decor with this beautiful print. Whether your interior design is modern or classic, a map is never out of fashion.
  • ATTENTION TO DETAIL: We edit every antique map for image quality, color and vibrance, so it can look its best while retaining historical character. Makes a great gift!
  • FRAME READY: Your unframed poster will arrive crease-free, rolled in a sturdy mailing tube. Many maps fit easy-to-find standard size frames 16x20, 16x24, 18x24, 24x30, 24x36, saving on custom framing.
  • Watermarks will not appear in the printed picture. Some blemishes, tears, or stamps may be removed from the final print.

This is a beautiful example of the S. A. Mitchell's 1849 map of Kingdom of Sardinia. Centered in Piedmont, this map covers the Kingdom of Sardinia's claims both on the Island of Sardinia and the mainland provinces of Piedmont, Savoy, Aosta, Coni, Nice, and Genoa. Political and topographical features are noted and color coded with elevation rendered by hachure.

The Kingdom of Sardinia or Piedmont-Sardinia was ruled by the House of Savoy since 1720, barring a short period when the mainland domains were annexed by Napoleonic France. The Congress of Vienna however returned these territories to the House of Savoy in 1814 with the inclusion of Genoa. In 1848, just a year before this map was made, King Charles Albert proposed a new constitution, which would eventually become the constitution of the unified Kingdom of Italy in 1861. The region would also be on the brink of the Crimean War (1853 – 1856), a conflict between the Kingdom of Sardinia along with the allied forces of the British, French and Ottoman Empires against the Russian Empire.

The whole is engraved and colored in Mitchell's distinctive style with green border work and vivid pastels. Mitchell published this chart in his atlas from 1846 to the late 1850s before discontinuing the series and selling his map plates to DeSilver. This map was issued in the 1849 edition of the New Universal Atlas. It was the last edition of that atlas to be published by Mitchell prior to selling the plates and rights to the atlas to Thomas Cowperthwait in 1850.

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